ARTISTIC DIRECTOR
photo by Tara Lynn Pixely
André M. Zachery is a Brooklyn-based interdisciplinary artist of Haitian and African American descent and is a scholar, researcher, and technologist with a BFA from Ailey/Fordham University and MFA in Performance & Interactive Media Arts from CUNY/Brooklyn College. As the artistic director of Renegade Performance Group his practice, research, and community engagement artistically focused on merging choreography, technology, and Black cultural practices through multimedia work. André is a 2016 New York Foundation for the Arts Gregory Millard Fellow in Choreography and a 2019 Jerome Hill Foundation Fellow in Choreography.
His works through RPG have been presented domestically and internationally, receiving support through several residencies, awards, and commissions. These have included the LMCC Arts Center on Governors Island, Dance/NYC Coronavirus Relief Fund, CUNY Dance Initiative, Performance Project Residency at University Settlement, ChoreoQuest Residency at Restoration Arts Brooklyn, 3LD Art & Technology Center, HarvestWorks and a Jerome-supported Movement Research AIR. Awarded grants have been from the Brooklyn Arts Council, Harlem Stage Fund for New Work, and a Slate Property SPACE Award. Commissions have come from the Brooklyn Museum, Five Myles/BRIC Biennial, and Danspace Project.
RPG has earned mentions and favorable reviews from publications such as The New York Times, The New Yorker, The Village Voice, Culturebot, Infinite Blogspot, Futuristically Ancient, Hyperallergic, the Brooklyn Rail, the Daily News, and AFROPUNK. As a technologist, André has collaborated with various artists through RPG, the design team of 3LD Art & Technology Center, and The Clever Agency on design installations, immersive media productions, film productions, film editing, projection mapping, and performance collaborations.
André has worked on significant projects across artistic mediums as a choreographer, media designer, and consultant with artists such as Daniel Bernard Roumain, Cynthia Hopkins, Davalois Fearon, Dance Caribbean COLLECTIVE, Arin Maya, Rags & Ribbons, The Clever Agency, Kendra Foster, Manhattan School of Music, Burwell & Sasser and Spike Lee.
André is currently a faculty member of the NYU Tisch Dance Department. As a scholar, he has been a member of panels, led group talks, facilitated discussions, and presented research on a myriad of topics including Afrofuturism, African Diaspora practices, and philosophies, Black cultural aesthetics, technology in art and performance, and expanding the boundaries of art making within the community. He has been a panelist and presented his research at institutions such as Duke University, Brooklyn College, University of Virginia, Massachusetts Institute of Technology, and the University of Colorado, Boulder. He is an advisory board member of the ATLAS Institute at the University of Colorado. André has taught at Brooklyn College and been a guest faculty member at the dance programs of Florida State University, Virginia Commonwealth University, The Ohio State University, the University of California Los Angeles, and the University of California Riverside.
His works through RPG have been presented domestically and internationally, receiving support through several residencies, awards, and commissions. These have included the LMCC Arts Center on Governors Island, Dance/NYC Coronavirus Relief Fund, CUNY Dance Initiative, Performance Project Residency at University Settlement, ChoreoQuest Residency at Restoration Arts Brooklyn, 3LD Art & Technology Center, HarvestWorks and a Jerome-supported Movement Research AIR. Awarded grants have been from the Brooklyn Arts Council, Harlem Stage Fund for New Work, and a Slate Property SPACE Award. Commissions have come from the Brooklyn Museum, Five Myles/BRIC Biennial, and Danspace Project.
RPG has earned mentions and favorable reviews from publications such as The New York Times, The New Yorker, The Village Voice, Culturebot, Infinite Blogspot, Futuristically Ancient, Hyperallergic, the Brooklyn Rail, the Daily News, and AFROPUNK. As a technologist, André has collaborated with various artists through RPG, the design team of 3LD Art & Technology Center, and The Clever Agency on design installations, immersive media productions, film productions, film editing, projection mapping, and performance collaborations.
André has worked on significant projects across artistic mediums as a choreographer, media designer, and consultant with artists such as Daniel Bernard Roumain, Cynthia Hopkins, Davalois Fearon, Dance Caribbean COLLECTIVE, Arin Maya, Rags & Ribbons, The Clever Agency, Kendra Foster, Manhattan School of Music, Burwell & Sasser and Spike Lee.
André is currently a faculty member of the NYU Tisch Dance Department. As a scholar, he has been a member of panels, led group talks, facilitated discussions, and presented research on a myriad of topics including Afrofuturism, African Diaspora practices, and philosophies, Black cultural aesthetics, technology in art and performance, and expanding the boundaries of art making within the community. He has been a panelist and presented his research at institutions such as Duke University, Brooklyn College, University of Virginia, Massachusetts Institute of Technology, and the University of Colorado, Boulder. He is an advisory board member of the ATLAS Institute at the University of Colorado. André has taught at Brooklyn College and been a guest faculty member at the dance programs of Florida State University, Virginia Commonwealth University, The Ohio State University, the University of California Los Angeles, and the University of California Riverside.
artist statement
Through research fusing digital programming and media design, contemporary African Diaspora dance techniques and critical race theory through the lens of Afrofuturism, I contend that there is an urgent need to reconsider digital and virtual landscapes not as inherently neutral or a-cultural spaces but as entities that are devised, coded and algorithmically structured from socio-historical corporeal experiences. My objective through my work is to acknowledge “haptics” as something that can be varied, measured and qualitatively quantified from cultural practices that can alter and simultaneously be altered across mediated terrains. I contend that the haptics of Africanist cultures ranging from the continent into its Diaspora are missing from digital inventories and thus databases are not only incomplete, but not accounting for new considerations or feedback from shared experiences.
As a choreographer, digital programmer and cultural researcher I fuse history, technology and personal narrative into projects centering African Diaspora cultural practices such as improvisation, imagery, dissociation, double-consciousness and repurposing. I consider these practices to be “futuring actions”.
I actualize these futuring actions through conceptually devising interdisciplinary multimedia projects which address the tensions, intersections and feedback between the body, space, architecture and time. Though technology is an integral component, using dance as the primary mode of investigation centralizes the body in this ideological chasm. In this way dance becomes more than a mode of artistic expression but an act of place-making to locate layered existences and experiences part of a greater collective. Through this exchange the haptics of bodies - more specifically Black bodies - can begin to influence and expand the possibilities in digital and virtual futures for Africanist populations across the globe.
As a choreographer, digital programmer and cultural researcher I fuse history, technology and personal narrative into projects centering African Diaspora cultural practices such as improvisation, imagery, dissociation, double-consciousness and repurposing. I consider these practices to be “futuring actions”.
I actualize these futuring actions through conceptually devising interdisciplinary multimedia projects which address the tensions, intersections and feedback between the body, space, architecture and time. Though technology is an integral component, using dance as the primary mode of investigation centralizes the body in this ideological chasm. In this way dance becomes more than a mode of artistic expression but an act of place-making to locate layered existences and experiences part of a greater collective. Through this exchange the haptics of bodies - more specifically Black bodies - can begin to influence and expand the possibilities in digital and virtual futures for Africanist populations across the globe.
Renegade Performance Group is a fiscally sponsored project of Fractured Atlas, a 501©3 umbrella organization.
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